Sieg Caster Homunculus created by appropriating the Einzbern's talent. Unexpectedly, it was born with individuality and great skill in magecraft. It is both useful and troublesome depending on the disposition of the Servant and the rank of Independent Action. Acting in autonomy from the Master's Magical Energy supply, the Master can concentrate their own Magical Energy on large spells, or the Servant will be fine even in the case they cannot supply Magical Energy due to injury.
Kip Wheeler declared its status thus: The qualities that may be good and admirable in a member of one's own group can be the same things that are feared or despised in somebody from An analysis of self identity in beowulf one's group.
In the fight between Beowulf and Grendel, both seem to be equally matched in strength. However, it is clear that one has a definite advantage over the other. Grendel will be defeated. Grendel must be defeated. Why, you may ask? Grendel has to be defeated because he is a monster.
Although it seems that I am making a moral statement or some sort of call to action, I am not. Grendel must be defeated, for he is a monster.
Of course some may say that this statement is just a statement of the obvious path a heroic tale will naturally take.
Regardless of the truth of that statement, it is missing the point I am trying to make. What I am saying is that the same set of circumstances that cause Grendel to be a monster, is the same set of circumstances that lead to his defeat at the hand of Beowulf.
Grendel and Beowulf are mirror images of one another and this, combined with the differences in their pasts and social standing is what ultimately leads to Grendel's defeat. The causes of his defeat will be made clear by an analysis of the character of Grendel and by contrast Beowulf through Sigmund Freud's theories of the id, ego and super-ego and his theories on the uncanny, as well as through Jacques Lacan's writings about "The Mirror Stage" of development.
Freud Public Domain Image Source Many writers have dealt with the similarity in character of Beowulf and Grendel and have dealt with the question of the distinction between a monster and a non-monster.
Although this subject is a portion of my paper, the question of what makes Beowulf the victor over Grendel seems to be dealt with less.
There are clear reasons why Beowulf is defeated. An important one is the issue of the uncanny. He shows us the uncanniness of Grendel. He points to the fact that both Beowulf and Grendel are mirror images of one another: Even though he states that they are uncanny doubles of the other, Sanders doesn't explore the idea that Beowulf embodies the uncanny from Grendel's point of view.
The analysis of Beowulf, the hero and Grendel, the defeated monster starts with their similarities. Jacques Lacan wrote about the mirror stage in an individual's development and how this stage influences an individual throughout its whole life.
This mirror stage is instrumental in pointing to Beowulf's defeat of Grendel. The mirror stage takes place when a child first realizes that he is a being that is distinct and separate from his surroundings. At this stage the individual creates an ideal image of himself that Lacan calls the Ideal-I.
This image is a perfected sense of self that the individual strives to reach his whole life. Lacan tells us that the individual in the mirror stage must be understood as an identification.
Imago is a term that Freud used for the mental picture of a beloved parent that becomes the individuals pattern for relationships.
Lacan uses this term a little differently than Freud and uses Imago as a mental picture of the Ideal-I that an individual forms in the mirror stage. Lacan believed the mirror stage to be a function of the imago that helped to establish the individual's relation between their inner world and the outer world.
I also see this as related to Freud's balance of the id, ego and super-ego which helps an individual to reconcile their inner drives of the id to the excepted social norms of the outside world. Grendel Public Domain Image Source The difference of lineage between Beowulf and Grendel points to the difference in their forming of the imago and in their respective Ideal-I.
The question of lineage is a major theme in the poem. The poem opens with a fatherless father whose past is unknown, Scyld, and closed with the death of a childless son, Beowulf" Lees The question of lineage is an important subject in the time of Beowulf and was traced through the father.
Beowulf comes from a respected lineage. By contrast, Grendel had no father. Therefore, he had no way to trace his lineage.
What we do find out from the author of the poem about Grendel's lineage, is that Grendel is a "kin of Cain" Donaldson 5.The Theme of Identity in Beowulf In “Beowulf”, the central theme of one’s identity is tightly woven into the plot and the characters.
The setting of the story and its time period characterize an individual’s identity as a string of lineage, with the individual judged in society by the reputation of his ancestors. Beowulf is an epic poem originally told in the Old English between the 8th and 11th centuries.
Beowulf study guide contains literature essays, a complete e-text, quiz questions, major themes, char. Dear Twitpic Community - thank you for all the wonderful photos you have taken over the years. We have now placed Twitpic in an archived state. As Beowulf is essentially a record of heroic deeds, the concept of identity—of which the two principal components are ancestral heritage and individual reputation—is clearly central to the poem.
The opening passages introduce the reader to a world in which every male figure is known as his father’s son. The difference of lineage between Beowulf and Grendel points to the difference in their forming of the imago and in their respective Ideal-I.
The question of lineage is a major theme in the poem.
A summary of “The Tell-Tale Heart” () in Edgar Allan Poe's Poe’s Short Stories. Learn exactly what happened in this chapter, scene, or section of Poe’s Short Stories and what it means.
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