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This book, and the excellent essays within, were the first to take Robert E. Howard and his work seriously and to consider Robert E. Howard a major literary figure. The essay, "The Dark Barbarian," sprung into existence as a continuation of an argument first begun by Don Herron in "Conan vs Conantics" Two-Gun Raconteur 3, where he argues that there is an intrinsic, and unfortunate, difference between the conception of Howard's original Conan character and the conception of the character as portrayed in the imitations.
The essay discusses the posthumous altering of Howard's Conan tales, the difference between Howard's Conan stories and other authors' versions of Conan, the characteristics necessary to capture the essence of Howard's Conan tales, and many other important -- nay, absolutely essential insights for Conan fans and would-be imitators alike.
For those who wish to adapt Howard's work into another medium such as television or film and still retain what made Howard's work immortal, this essay is invaluable. Don Herron sprung upon the REH scene with his article, "Conan vs Conantics" -- known as being the first knock-down, drag-out round in the battle against the imitations.
In he published the seminal book, The Dark Barbarian. Herron have also appeared in The Dark Man: Journal of Robert E.
Howard Studies, numerous Robert E. Recently, he wrote Willeforda biography of crime writer Charles Willeford. In addition to authoring numerous books, he has been written up in the Wall Street Journal, the New York Times and hundreds of other publications.
Howard fans and scholars will be happy to know that The Dark Barbarian is now back in print as a trade paperback and The Barbaric Triumph, a sequel to the The Dark Barbarian, has just been published -- both from Wildside Press. I am the Dark Barbarian That towers over all. Howard of Cross Plains, Texas, created one of the great mythic figures in modern popular culture, the Dark Barbarian.
The inherent appeal of this character has generated a major sub-genre of the fantastic, the Sword-and-Sorcery or heroic fantasy tale, and put Howard in the select ranks of the literary legend-makers: Tolkien, and Ian Fleming.
The characters and set pieces these writers created persist in the public imagination -- not only persist, in memory, in print and on the screen, but have assumed truly legendary stature in our culture. Shelley in Frankenstein and Stoker in Dracula each embodied Horror forever in a name; while Lovecraft in his tales of Cthulhu, Arkham, and the Necronomicon later gave supernatural terror a knowing mythological authority that invoked all earlier horror fiction even as he looked aeons ahead to unimaginable terrors awaiting humankind in cosmic space.
Burroughs presented the definitive Jungle Hero, Tarzan. When Lord Greystoke sheds the trappings of civilization to roam Africa in loincloth and knife as Tarzan of the Apes, a more barbaric image would be difficult to create.
The fact that he usurped the swordplay from Dumas and a good measure of supernatural horror from Lovecraft added to the distinction.
Yet the overriding difference is in mood and philosophy. The famous lines at the end of the Conan story "Beyond the Black River" epigrammatize this philosophy: Barbarism is the natural state of mankind.
It is a whim of circumstance. And barbarism must always ultimately triumph. Beyond the Black River the barbarians wait their chance to rush in. His artistic leanings toward the poetic and the romantic, his compulsion for violence, his interests in history, myth and adventure all fell easily into this shadow of barbarism.Essays - largest database of quality sample essays and research papers on Essay On My Most Memorable Dream.
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